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Opera
Les Huguenots Act V Trio - Bass Clarinet Solo
Aphrion
1:18 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass
Clarinet		 Treble 21 0 5 10 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass
Clarinet		 Treble 21 0 5 10 100%
 
In diesen heil’gen Hallen
rdr713
2:23 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 32 1 6 100%
Bass 20 30 1 3 92%
Bass Bass 13 0 1 5 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 32 1 6 100%
Bass 20 30 1 3 92%
Bass Bass 13 0 1 5 91%
 
HWV1A2N30 - Sanerà la piaga un dì
edward.maurath
3:30 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
Bassoon Continuo Bass 22 0 5 2 98%
Soprano as
Almira		 Treble 15 0 3 6 87%
 
HWV7A1N26 "Cor ingrato, ti rammembri" (c minor)
edward.maurath
2:01 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
Violoncello Bass 24 0 7 6 100%
Rinaldo 14 0 4 8 92%
 
[W.I.P] Noah en Morphos - Openning (Work in Progress)
Corbyn Greengrass
1:33 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 4 1 3 81%
Treble 27 32 4 6 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 4 1 3 81%
Treble 27 32 4 6 96%
Bass 22 15 1 7 55%
Bass 22 15 2 7 94%
Célesta Treble 18 8 2 6 61%
Bass 1 0 0 1 3%
Clarinette
Basse		 Treble 18 0 3 7 55%
Timbales Bass 5 0 0 5 39%
 
HWV1A2N16vEJM, "No, no, non voglio" (Almira)
edward.maurath
1:41 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
Harpsichord Treble 17 36 5 4 98%
Bass 24 29 7 4 100%
Violoncello Bass 20 0 6 4 100%
Almira 14 0 6 4 88%
 
Mozart : Die Zauberflöte : In diesen Heiligen Hallen
Haricophile
3:22 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 48 1 6 100%
Bass 29 34 2 4 89%
Basse Bass 13 0 1 5 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 48 1 6 100%
Bass 29 34 2 4 89%
Basse Bass 13 0 1 5 91%
 
Handel – Prelude «Voi che mie fide ancelle» from "Giulio Cesare" for Sax soprano & Strings Synth.
Aquarius-Ru
2:24 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
Synth.		 Treble 24 51 8 6 100%
Violoncello Bass 15 0 4 9 100%
Saxophone soprano Treble 14 0 6 9 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
Synth.		 Treble 24 51 8 6 100%
Violoncello Bass 15 0 4 9 100%
Saxophone soprano Treble 14 0 6 9 94%
 
Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}
Jamie Holdham
2:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 4 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
View all 27 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 4 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
2.u.3.
(B.)		 Treble 18 21 7 5 66%
12
BRATSCHEN.		 17 0 4 5 57%
1. 3
gr.FLOTEN.		 Treble 9 1 3 5 56%
2
Tenor.
(B) 4
TUBEN.		 Treble 7 2 3 4 53%
2.u.3. Treble 12 10 4 5 48%
Treble 8 6 1 5 52%
Bass 6 0 2 4 33%
1.
(B.) 3
CLARINETTEN.		 Treble 17 0 5 3 52%
1
BASS- CLARINETTE.
(B)		 Bass 13 0 5 4 52%
3.u.4. Treble 15 14 8 5 52%
2
Bass.
(F.)		 Bass 5 4 1 4 50%
3. Bass 15 1 4 5 50%
1.u.2. 4
HORNER.		 Treble 15 12 8 5 48%
ENGLISCHES
HORN.		 Treble 5 0 2 5 48%
Violins Treble 24 0 9 5 48%
1. 3
TENOR-BASS- POSAUNEN.		 7 4 1 4 47%
16
erste 32
VIOLINEN. 16
zweite		 Treble 22 0 10 4 44%
1.u.2. 3
FAGOTTE.		 5 2 2 4 44%
1
BASS-TROMPETE. (Es.)		 Treble 13 0 5 5 44%
1. 3
HOBOEN.		 Treble 4 0 0 4 41%
1
CONTRABASS- POSAUNE.
(C)		 Bass 4 0 0 4 33%
8
CONTRABASSE.		 Bass 5 0 0 4 26%
1.
(Es.) 3
TROMPETTEN.		 Treble 3 0 3 4 22%
2.u.3.
(Es.)		 Treble 4 2 3 3 15%
Pauken. Bass 2 0 1 1 7%
 
Wagner - Die Miestersinger von Nurenberg Overture to Akt 2. [Professional production full score.]
Jamie Holdham
1:03 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
Floten. Treble 18 4 5 8 97%
I. Violinen Treble 28 2 5 11 97%
Bratsche. 22 2 4 10 97%
II. Treble 22 15 5 11 95%
III
IV in
D.		 Treble 17 12 3 7 95%
Violoncello. Bass 17 1 1 9 93%
Flute Treble 17 2 4 8 90%
Fagotte. Bass 13 7 2 4 87%
I
II in
F. Hr.		 Treble 16 15 5 7 75%
KontrabaB. Bass 15 0 1 4 59%
Trompetten in
D.		 Treble 6 0 0 5 50%
Kleinen
Floten.		 Treble 10 0 2 4 31%
Oboe Treble 9 0 2 5 14%